brechtian

[ˈbrɛktiən]

brechtian Definition

relating to or characteristic of the theatrical theories or practice of Bertolt Brecht, emphasizing the alienation of the spectator, the use of techniques such as montage and interruption, and the self-consciousness of the theatrical performance.

Using brechtian: Examples

Take a moment to familiarize yourself with how "brechtian" can be used in various situations through the following examples!

  • Example

    The play's brechtian style was evident in its use of songs and direct address to the audience.

  • Example

    The director's brechtian approach to the script emphasized the political themes of the play.

Phrases with brechtian

  • a technique used in Brechtian theatre to distance the audience from emotional involvement in the play, often by breaking the fourth wall or using other devices to remind the audience that they are watching a performance

    Example

    The play's use of brechtian alienation made the audience think critically about the social issues presented.

  • a form of theatre developed by Brecht that emphasizes the political and social aspects of a play, often using non-realistic elements such as songs, placards, and projections

    Example

    The director's use of brechtian epic theatre in the production highlighted the play's critique of capitalism.

  • brechtian verfremdungseffekt

    a German term meaning 'alienation effect,' used to describe Brecht's technique of making the familiar strange, often by interrupting the action of the play or using other devices to remind the audience that they are watching a performance

    Example

    The play's use of brechtian verfremdungseffekt made the audience question their assumptions about the characters and the story.

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Summary: brechtian in Brief

'Brechtian' [ˈbrɛktiən] refers to the theatrical theories and practices of Bertolt Brecht, emphasizing the alienation of the spectator, the use of techniques such as montage and interruption, and the self-consciousness of the theatrical performance. It is characterized by the use of non-realistic elements such as songs, placards, and projections, and the distancing of the audience from emotional involvement in the play. Brechtian theatre includes techniques like 'brechtian alienation' and 'brechtian verfremdungseffekt,' which make the familiar strange and encourage critical thinking.